Yirui Jia: Inviting Me to Me
Past exhibition
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We see the bride as she lounges in a bikini on a park bench under the radiation of a hair perming machine, delicately resting coconut shells on her clawed feet. She distorts herself into a spider-like figure, furiously pulling out the intestines of a stuffed astronaut, a wildly misbehaved and contradictory construct of the female stereotype. Straddling representations of ideal goodness and mischievousness, the bride is in parts grotesque, violent and messy, and this reflects Yirui Jia’s appetite for spectacle and the unspeakable. The honest depiction of a woman in control of her own universe, revelling in the chaos and willingly swept up in a maelstrom.
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Artworks
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"I see a painting as a play or theatre, and the figures being actors. Now I’m thinking not only about the narrative but the whole painting as a character itself. So it’s almost like each painting has its own personality- I’m pushing towards seeing the painting as a whole. Recently, l’ve tried starting as an abstract painting and then using that abstract-ness to search for clues on how to build a play from it."
– Yirui Jia
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Installation Views