For the first time Yirui Jia has restructured the physical landscape of the canvas, joining two different sized canvases together, to complete the largest work of her career to date. A conductor of works, both emphatically chaotic and ordered, Yirui Jia propels the female figure into a disoriented momentum through the irregular shapes of the frame. Two abashed protagonists drift on a life raft through a sea of red roses, or agglomerate cherries, carrying a cigarette and two quail-egg-pattern-like objects. The image as a whole contains an inherent Bohemian aura: pastoral, romantic and free. The parallel columns of blue paint could be barreling waves, or a swimming pool, divided by a string of dotted pearls, on the verge of submerging the protagonist all together, swallowing her up whole.